Due to technical difficulties, this live demo has been rescheduled. Ron has sent out a new invitation for our society members:
“Many of you were there, waiting, Sunday, and I did not show up. My computer froze and you know the rest. I won’t let that happen again (how embarrassing). I now have two computers set up (one as a back up) for the next broadcast. As planned for yesterday’s event, I will paint in watercolors, a portrait of Thelma Battle. Thelma is one of twenty-five “Hat Lady” portraits I am painting. She has her 99th birthday this month and she plans to be online, watching.”
This is a follow up to his demo on October 6, 2019. Click on the link below to watch him paint a “Hat Lady” portrait live!
Date is now June 14
Time is 2:30 – 4 pm.
You can ask questions or make comments on the chat board.
We started the first meeting of 2020 with a dynamic presentation by our super talented member, Dana Daydodge. There was a large group of members ready to learn Dana’s secrets of Underpainting: Reworking old Paintings into new creations!
Dana is a classically trained artist, who has now made her mark in the Central Florida area. While her profession was as an operating room nurse, Dana also had the opportunity to attend the prestigious American Academy of Art in Chicago. Looking for “anywhere warmer than Chicago” to retire, lucky for us, she chose to retire in our backyard!
Dana said she tries to draw or paint every day. Her obvious talent in taking an old painting she didn’t like, and turning it into an award-winning painting works!
She suggested taking an old painting and finding shapes you like. Birds can be easily created from many shapes. Dana shared many examples of her reworked pieces, such as a portrait of a people, which became a colorful, whimsical painting of giraffes….a rhino was originally a painting of a cactus!
While still utilizing her watercolor paints, she added a big squiggle of white gouache onto her palette. But, she likes bold color (especially for backgrounds, bold color can cover up unwanted shapes)!
In addition to the tubes of Holbein watercolor and gouache, she had water soluble pencils (Faber Castell), crayons (Caran D’ache), ArtGraf graphite blocks, and Staedler watercolor Brush Pens to create these magical creations.
Dana also reiterated the importance of best quality paper. She uses 140lb. Cotton rag because she does numerous lifting and overpainting multiple times.
Dana, not only a talented artist but also one of our strongest supporters, not only generously gave of her time for our demo, but also donated one of her paintings to be raffled off! Needless to say, we quickly sold more raffle tickets.! Thank you, Dana, for donating your time, talent and passion to our membership. – Pam
You can overpaint only over a watercolor or acrylic painting. Oil will bleed through or crack. Supplies she had: Gouache, Holbein watercolors, Staedtler watercolour brush pens, ArtGraf water soluble tailor chalk, Caran d’Ache Neocolor II artist crayons, and more.
All of these supplies can be found at our generous sponsors…. ArtSystems, Cheap Joe’s and Blick art materials.
Our new season was kicked off with a fun members meeting called “What I Did This Summer”. Pam Merle, one of our new co-presidents, introduced our 2019-2020 calendar. It is going to be an awesome year! Check your newsletter and the CFWS website for more details.
September 16 -21, the Florida Watercolor Society is holding their annual convention, tradeshow and art exhibit in Orlando. Please contact Susan Donohoe for some really great volunteer positions. We need our members help to make this the best convention so far!
The Altamonte Chapel has asked our society to partner with them once again on the October 19 “Arts and Crafts Day/Plein Air” event. CFWS members can reserve a spot for their table and handcrafted arts for only $10. You keep all the profits! We also need teacher volunteers to set up free watercolor lessons to our community. Please contact Serina Ramos-Colon to reserve your table and TerriChin for teaching and Marcela Moglia for plein air.
November 16, Niko Floyd will be doing another one-day workshop “Perspectives in Drawing”. Niko is back by popular demand and will also do our general meeting demonstration on November 3. Reserve your space for his popular workshop now!
Our annual juried members show will be from February 6 –March 29, 2020 at the SOBO gallery in Winter Garden. The last day for entering your artwork in the show is November 15, 2019. This is only 9 weeks away, so get your brushes moving! Don Andrews will be our juror and will also offer a 3-day workshop “Landscapes, Composition and Color” February 10-12. Early Bird members registration is $300 before October 31 – so reserve now!
A special summer exhibit is planned at the Orlando Science Center. The theme is “Images of Pompeii” and we will be using the photographs of our members who have been to Pompeii as inspiration for our masterpieces. Please contact Cindy Sturla or Marcela Moglia if you are willing to share your travel photos for this blockbuster exhibit!
Marcela announced some upcoming plein air events:
September 21 – Kraft Azalea Gardens in Winter Park
October 19 – Altamonte Chapel campus
November 16 – Mead Botanical Gardens in Winter Park
We took a break to grab some munchies and then settled down to a wonderful series of members paintings and the stories behind the artwork. So many different styles, from journaling, to plein air to framed paintings were presented. Everyone who brought art had a chance to stand up and talk about the experience. It was a ton of fun!
Diane Darnall – membership chair made an announcement on renewing your CFWS membership.
Marcela announced upcoming plein air dates: April 13 – Environmental Garden in Oviedo. June 22 – Orlando Science Center Pop Up/Plein Air event
All CFWS members are invited to our next board meeting on April 18 at 10 am at the Casselberry library on Oxford Rd. Snacks provided.
Interested in becoming our new PRESIDENT AND VICE PRESIDENT?
Membership in CFWS has many benefits: free demos, developing your skills in workshops, displaying your artwork in various exhibits, networking with other artists and organizations, accessing our CFWS library of books and DVDs’, outreach to our community and introducing the public to the wonderful world of watercolor. Volunteering has been documented to keep you physically and mentally active by allowing you to use your talents and experience. Managing our operations with volunteers is critical to keeping our fees low. Contact Teresa Chin or Mary Dall asap to learn more.
CONNIE HAMILTON gave a wonderful demo on the healing power of journaling. She provided handouts and many samples – 37 books – of her work. Impressive! Some popular journalists include Roz Stendahl, Liz Steel, Thomas Thorspecken, and Gabriel Campanario, who began the urban sketch movement. Strathmore watercolor is one of her favorites. Bienfang, 97lbs. is too light. You can draw anywhere: jury duty, hospitals, the beach or what you had for lunch. Strathmore mixed media without rings is a good journal. The Beta series premium sketchbooks have good heavy paper. Her favorite pen is a Micron, but many journalists use fountain pens. Koi paints in small pocket sets work well for travel as well as getting a small empty palette and fill with your favorite paint like Daniel Smith or Winsor Newton. Escoda or Jack Richeson brush kits are good travel brushes as well as piston watercolor brushes. The Art Toolkit has several small sizes for purchase. All of her supplies fit into a handy backpack and away she goes! Her final tips: 1. Put a sketchbook in your purse/pocket. 2. Draw what moves you. 3. Enjoy other people’s work. 4. Draw in a group. 5. Follow your passion. Check out: Connie’s Color on Facebook and conniehamilton563 on Instagram to see her work! Thank you Connie!
Thanks to Michael Holter we all learned about a “Swashbuckler Wash” at our March 3rd demo. He painted a boat silhouetted against a sunrise wash. Using a large brush he mixed up a stew of colors, showing us how to shift the colors to the warm or cool spectrum. He finished the painting by scrapping out with a credit card to demonstrate all sorts of tools can be use to create a great painting.
Marcela has been busy once again lining up many plein air activities for us. Michael Holter mentioned that it was a great practice to paint on location to increase speed, observation and considers it vital in the artistic process.
Check our website for further details on the following locations:
March 16 – Cornell Art Museum/Rollins College
March 17 – Orlando Science Center
March 24 – Albin Polasek Museum
April 20 – Environmental Garden in Oviedo.
All CFWS members are invited to our next board meeting on 3/21 at 10 amat the Casselberry library on Oxford Rd. where we’ll discuss the upcoming season.
WE NEED A PRESIDENT AND VICE PRESIDENT to satisfy the requirements of our By-laws and 501 c 3. Otherwise, our society is in danger of having to disband. So far, The board, Mary and I have had no luck in finding someone to step up to either of these positions. If we want this society to continue, we need to find 2 folks who would like to work together. Our next season is set up and information is organized in easy to access files so no one has to “reinvent the wheel”.
Contact Teresa Chin or Mary Dall if you would like to learn more.
The Orlando Science Center on January 26 was a resounding success for Central Florida Watercolor Society. CFWS artists were able to interact with many different age levels—from eight to eighty. The facilities were especially nice and the OSC staff was well prepared for us. I think we would all agree that comments from the staff, observers and, particularly the participants, were very positive. Since all three of our sessions were full—and we’ve been invited back—OSC is obviously a great venue for future public interaction.